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Unique spherical aberration control ring.

There’s also an innovative ring for controlling spherical aberration, which basically lets you adjust the optical quality of the out-of-focus elements of your image – not a must-have, but a nice feature that can certainly come in handy. There’s a three-position focus limiter, which guarantees faster, more-reliable autofocus for different shooting scenarios. Not only does this lens produce optically stunning images, but it packs some brilliant bonus features that’ll impress any macro photographer. It’s designed for RF-mount mirrorless cameras and its high price point puts it out of reach for most beginners and hobbyists, but you do get what you pay for. Serious macro shooters who want top-notch image sharpness will be more than pleased with the Canon RF 100mm f/2.8L. The best part about the 40mm f/2.8 is the price: It’s by far the cheapest option on this list, so if you’re a Nikon shooter and you’re on the fence about diving into macro photography, it’s tough to go wrong with this lens! While the f/2.8 aperture can’t compete with f/1.8 or f/1.4 lenses, it still offers pleasing bokeh and out-of-focus backgrounds. But on APS-C models, the 40mm focal length is equal to 60mm, so in addition to macro shots, the lens will offer plenty of potential for portraits and street photography. This is a DX lens, which means it won’t function on full-frame cameras. Neither of these omissions is a huge deal, however if you’re set on a ring light, you can always purchase one as an accessory, and image stabilization is more of a luxury than a necessity when doing macro work. In fact, the Nikon 40mm f/2.8 is quite similar to the aforementioned Canon 35mm macro lens, though it does lack both a ring light and image stabilization. It’s small, light, and lets you shoot brilliant photos of tiny subjects without spending a lot of money. This 40mm f/2.8 macro lens has long been revered as one of the best options for Nikon shooters who want to get started with close-up photography (and who also appreciate a versatile all-around lens).

Optical performance isn’t as good as more expensive lenses.

Optical stabilization (unusual for this price range).

While this lens isn’t as versatile or sharp as other lenses on this list, it’s almost impossible to beat its value for money! Pros

The lens also features image stabilization, which is always a nice bonus. No, it’s not extremely powerful – but it can easily be the difference between a good shot and a blurry shot, and it’ll cast a nice, even glow over your subjects. The best part about this lens is the built-in ring light. The 35mm focal length does require you to get very close to your subject, but after taking Canon’s 1.6x crop factor into account, the effective focal length is actually in the area of 56mm. I highly recommend it for beginners who are looking for a way into macro photography without breaking the bank (plus, it’s designed for Canon’s less-expensive line of APS-C cameras, which are wildly popular among beginner and amateur shooters).

The Canon EF-S 35mm f/2.8 is one of my absolute favorite macro lenses because it’s simple, inexpensive, and highly effective. It’s all a lot to take in, but don’t worry: If you start by grabbing one of the lenses on this list, you’ll set yourself up for macro photography success! All of the lenses on this list can be used without extra support, but if you can stabilize your camera and lens, you’ll be able to work with longer shutter speeds and smaller apertures to create more compelling images. One more thing: If you plan on getting into macro photography but don’t currently have a tripod, I highly recommend you buy one. Finally, while some macro lenses (especially the cheaper ones) feature wide focal lengths, most macro shooters prefer to work around the 100mm range as it lets them capture brilliant images without needing to be physically close to their subjects. Also, note that you don’t have to choose a macro lens purely for macro photography many photographers buy a macro lens for close-ups and portraits, thanks to the outstanding sharpness and contrast they provide. Now, if you’ve never done this type of photography before, I recommend you keep a few key items in mind:įor one, most macro lenses offer fixed focal lengths, but the upside is exceptional optical quality and very large apertures that let in a great deal of light. That said, no matter your skill level or budget, there is almost certainly a macro lens suited to your needs.

There are dozens of options available, all capable of transforming small objects into works of art, and each offering a slightly different set of features. Picking the best lens for macro photography is tough.